Already, there’s been a flurry of activity about all things New Perennialistic for 2015. From my vantage point in subzero Toronto, I can spy everything from a local lecture series to greater stories being released in the form of magazines, books, and a film (more on that later).
It’s safe to say that the zeitgeist of this design movement continues to spread its frost-tipped wings.
Yes, they did it again. In early July, under the blinding stadium lights in Rio, Germany conquered Argentina with a soaring pass and mid-air kick to win the 2014 FIFA World Cup. The German team was so strong, the win seemed almost inevitable.
On a whirlwind visit to Germany last summer, I discovered they also make seriously innovative public gardens – and much like football, their greatness is no accident.
Each is the result of a highly diligent work ethic, meticulous research and planning, creativity, and a genius for practical innovation. One garden unites all these elements together into one exquisitely satisfying whole, while the other radically deconstructs them into something perhaps more strange than merely beautiful.
Ah. Welcome to the New Perennialist Theatre. Your seat is waiting. We have three remarkable art films ready for viewing – two short and the third is feature length.
Admission is free. Popcorn is strictly optional. Leave your secateurs at the door.
How far will a keen perennial gardener go in the search for new ideas?
Lately, it’s far beyond my own garden gate, and recently involved plane, train and taxi rides all the way to the tiny village of Hummelo in the eastern Netherlands.
I arrived there early one morning last July to be welcomed by none other than Piet Oudolf, the silver-maned Dutch lion of modern landscape design, standing outside his rust-coloured brick farmhouse.
Thrilled to be there and yet not knowing quite what to expect, I was one of a diverse group of 25 landscape designers and avid gardeners from as far away as New Zealand, Argentina, Sweden, the U.S. and Europe there to participate in a one-day intensive planting design workshop led by Piet and his writerly counterpart, Noel Kingsbury.
My first glimpse of Rotterdam was a blast of pure future shock.
Walking out of the concrete slab and webbed glass roof of the Centraal train station, the cityscape comes on like a massive architectural experiment gone wild.
Now down to the final few days of my trip, I’d come south in mid-July to visit two of Piet Oudolf’s most recent public projects in the Netherlands. While these gardens express some of his latest design thinking, they’re not yet so well known to the outside world.
A powerful juxtaposition of nature recast in a hypermodern urban frame.
