This is a movement which belongs to no one.
In truth, because the New Perennial movement can belong to anyone and everyone.
First and foremost, it’s about seeing plants in all their four-dimensional splendour and experiencing the slow-motion fireworks, which ensue as they flow and interact.
You don’t need a garden to do that. Just the pupils in your eyes.
Already, there’s been a flurry of activity about all things New Perennialistic for 2015. From my vantage point in subzero Toronto, I can spy everything from a local lecture series to greater stories being released in the form of magazines, books, and a film (more on that later).
It’s safe to say that the zeitgeist of this design movement continues to spread its frost-tipped wings.
Ah. Welcome to the New Perennialist Theatre. Your seat is waiting. We have three remarkable art films ready for viewing – two short and the third is feature length.
Admission is free. Popcorn is strictly optional. Leave your secateurs at the door.
It’s now full-on spring in the sheltered woodland of my northern un-cottage garden.
The crabapple tree is weeping shell-pink blossoms as the red lady ferns unfurl from beneath its dappled shadow. Spiky filaments of Camassia and Allium light up the sunnier beds in a wandering halo of purple and blue.
If spring is about new life, it’s also about unearthing fresh ideas. With that in mind, here are my ‘spring theories’ – designed to either stir the imagination or stir the pot, as you will.
How far will a keen perennial gardener go in the search for new ideas?
Lately, it’s far beyond my own garden gate, and recently involved plane, train and taxi rides all the way to the tiny village of Hummelo in the eastern Netherlands.
I arrived there early one morning last July to be welcomed by none other than Piet Oudolf, the silver-maned Dutch lion of modern landscape design, standing outside his rust-coloured brick farmhouse.
Thrilled to be there and yet not knowing quite what to expect, I was one of a diverse group of 25 landscape designers and avid gardeners from as far away as New Zealand, Argentina, Sweden, the U.S. and Europe there to participate in a one-day intensive planting design workshop led by Piet and his writerly counterpart, Noel Kingsbury.
